Andrew Huggett Ottawa Manotick Citizen
1979
February - Grenfell, Regina, Outlook, Saskatoon, St. Peters Abby, Humbolt, Neepawa, St. Boniface, Brandon, Leaf Rapids.
March - Calgary, Banff, Lethbridge.
April - 12 residency shows, Shaw Festival, Niagara-On-The-Lake.
May - CBC Bob McLean Show, Toronto.
July/August - 15 shows at the Shaw Festival, Niagara-On-The-Lake.
August - 8 shows at the NAC, Ottawa.
September - Finish the recording of My Lute Awake album, Ottawa.
October - CBC TV Man Alive taping, Ottawa.
November - Romeo & Juliet, Montreal, Quebec, Ottawa, Niagara-On-The-Lake.
December - Cobourg, Petrolia, Port Perry, Kingston, Oshawa, Belleville, and Bancroft.
CONCERTS & EVENTS
LISTEN WHILE YOU BROWSE
NOW IS THE MONTH OF MAYING
Thomas Morley
Thomas Morley (1557 – 1602) was an English composer, singer, and organist famous for his madrigal writing. Madrigals enjoyed a curiously brief but brilliant flowering that constitutes one of the most colourful episodes in the history of English music. Morley lived in London at the same time as Shakespeare and, along with Robert Johnson, is the composer of the only surviving contemporary settings of verse by Shakespeare. Now Is The Month Of Maying is one of his most performed compositions.
Leslie - bass
Margaret - alto
Andrew - tenor
Jennifer - soprano
Fiona - Soprano
CANADIAN CONCERTS
SASKATCHEWAN & MANITOBA
This year, the Huggetts winter over in Canada at their Niagara-On-The-Lake home to accommodate February and March tours. Their first commitment is to another Jeunesses Musicales sponsored tour on the prairies. They fly to Regina and immediately run out to the small town of Grenfell for a single evening show.
Jennifer: "Our kind sponsor had brought bacon, eggs, and muffins to make us breakfast the following day as the local Motel had no restaurant. But we planned to drive back to Regina that night, so she cooked us a hearty breakfast at midnight!" The following evening the Huggetts play the Regina University Convocation Hall in front of an enthusiastic audience who turn up despite the deadly cold.
Andrew remembers, "After Regina, we played Outlook, Saskatoon, and Saint Peter's Abbey and College in Humboldt. The Abbey is an independent religious community. The priests grow all the food which they store in straw in an impressive stone root cellar under the Abby, and nuns grind the wheat and make fresh bread every morning. The College offers courses in the Catholic Benedictine tradition and is part of the University of Saskatchewan.
Our host is a very enthusiastic monk named Brother Thomas. He sports a perpetual Cheshire cat grin and speaks enthusiastically and knowledgeably on Renaissance topics. At one point, he asks me about Thomas More, who I know now was an influential English Catholic and humanist, and is somewhat bemused when I say I've never heard of him. Dad's not impressed with me either, thinking I should know about Thomas More, given all the money we spend going back and forth to England to study!
We offer to play The Leaves Be Green by William Byrd at vespers, which Brother Thomas thinks will be quite "exciting" (the piece itself is pretty tranquil.) I naively anticipate a roomful of buoyant nuns and monks like Brother Thomas when we turn up at the appointed hour with our instruments. But all assembled strike me as inexplicably grim and sullen, without the slightest trace of his positive energy. The stately Leaves Be Green must have hit some kind of mark, however, as the next day, when my mom and sisters show up for breakfast, one of the nuns exclaimed, "Here come the showgirls!" which proves, I suppose, that in life, all things are relative."
After Humboldt comes Neepawa, Saint Boniface, and Brandon University, which has an Early Music department and owns an impressive inventory of viols, krumhorns, and other period instruments. The audience, which includes members of the Society for Creative Anachronisms, turns up in their own Renaissance garb. They are particularly taken with the period dances.
From Winnipeg, the Family takes a private charter to the remote northern mining town of Leaf Rapids, Andrew sitting in the co-pilot seat. The Family is anxious about their instruments as they are loaded into the nose of the plane. If it's this cold on the ground, what is it like at 15,000 feet? The plane touches down on a remote snow-covered strip, and the musical instruments, which have survived the cold, are loaded into a warm waiting van. The plane departs for Thompson, where it can plug in for the night to prevent the engines from freezing, and everyone gets in the van for the last leg of the journey.
Margaret remembers: "The entire community of Leaf Rapids is built within a single large enclosure, much like a giant shopping mall. There's no need to go back outside, and it's toasty warm inside. However, there was nowhere to get a meal before the concert. We played to a select audience of 30 people in the library. Without us knowing, our sponsor graciously forwent the concert and made us a meal while we were on stage. Her kindness was much appreciated and indicative of the many generous people we met while touring.
The following day we drove back to the airstrip and waited in a small heated cabin for the return of our plane. It's been delayed because it wouldn't start despite being plugged in overnight in Thompson. Finally, the mechanics get it going, and it appears as a speck in the sky. Thirty minutes later, we are on board, heading back to Winnipeg and finally to Toronto and Niagara-On-The-Lake."
Andrew, Jennifer, Ian, Margaret, Brother Thomas, and Fiona. Brother Thomas's unbridled enthusiasm was not a characteristic evidenced by his fellow monks.
En route to vespers.
Delicious bread, home-baked from wheat grown by the monks and milled by the nuns of St Peter's Abby
The dances are a big hit with members of the Society for Creative Anachronisms at the University in Brandon, Manitoba.
Leaf Rapids is so cold the plane has to leave as soon as the Huggetts debark, so its engines don't freeze up.
ALBERTA
After a three-week break in Niagara-On-The-Lake, the Family is off again to Alberta. They perform at both Calgary University and Mount Royal College in Calgary and the Lethbridge Art Centre in Lethbridge.
The Huggetts also play in the beautiful Devonian Gardens, a large under-glass botanical garden located in Calgary's downtown core. Jennifer recalls, "It was a real treat to perform surrounded by such beautiful tropical plants. But the sudden shift to warm and humid air played havoc with the tuning pegs on all the stringed instruments making it very difficult to tune up."
Following Calgary, the Huggetts play the Banff Centre For The Arts. They are in Banff for three days and present "At The Field Of The Cloth Of Gold" and "Henry the 8th And His Wives."
There's also time to go skiing. Other than Andrew, none of the Family has skied before. At first, the Family rents cross-country skis. After about 20 minutes of slipping and backsliding up the cross-country trails, they realize that gravity could be their friend if they only switched to downhill skis.
Returning to Niagara-on-the-Lake, the Huggetts do The Bob McClain show, a popular daytime Toronto CBC talk show. They perform Greensleeves and a couple of other songs and chat with Bob about their upcoming summer season. That same month, they performed 12 shows for local school children as artists in residence at the Shaw festival.
Jennifer at Banff, her first time on skis.
Jennifer, Margaret, Bob McClean, Fiona, Ian, and Leslie.
THE SHAW FESTIVAL, NIAGARA-ON-THE-LAKE
Come summer, the Huggett Family offer two separate programs at the Shaw Festival: the tried and true Henry VIII And His Wives with folks songs in the second half and the brand new Elizabeth I And Her Suiters, a completely renaissance two-hour show. This is the first time the Huggetts present a show without folk songs in the second half. There is concern about how the audience will react. However, the concern is unwarranted, and both audience and critical response is positive. Having everyone on stage participate in the commentary adds much to the performance.
The Huggett Family was a major attraction at the Shaw Festival in 1979.
The Huggetts offered audiences the choice of two shows: Henry VIII And His Women and Elisabeth I - The Good Queen Bess. The latter being their first show not to include folk songs.
THE NATIONAL ARTS CENTRE, OTTAWA
Margaret, "After the final Shaw Festival show on August 1st, we pack up and move everything back to Ottawa. We have very much enjoyed living in Niagara-on-the-Lake with its theatrical ambiance and holiday atmosphere. Our total tenure was almost 18 months. Still, the Peace of the Aylmer Cottage is welcome too.
This year we are self-sponsoring at the NAC. Our shows are almost always third-party sponsored. This means we are paid a fee, and the sponsor takes care of advertising, ticket sales, and staging costs and pockets the profits. Being self-sponsored means we assume all costs but keep all the profits. Leslie is more tense than usual because more risk is involved, and Chorus Line is playing down the hall, competing with us for ticket sales."
Leslie was concerned when he realized the Family would be competing with A Chrorus Line for August entertainment dollars.
At the NAC 1979. Leslie need not have worried about sales. All the NAC shows sold out that year.
MY LUTE AWAKE
In the fall, the Huggetts recorded the final material for My Lute Awake, adding ensemble pieces and madrigals to the seven lute solos Andrew had recorded the previous year. This time, among the pieces recorded, are John Dowland's fantasias for viols and lute. Many other early music groups have recorded these works leaving out the lute part, which is strange as Dowland is considered to be one of the finest lutenists of all time. This is some of the most beautiful music of the late Renaissance, and the Huggetts included the lute as originally intended.
When it's released later that fall, My Lute Awake is the Family's first self-produced record album.
Dowland - John Langton's Pavan
Dowland - Digore Piper, His Galliard
My Lute Awake. Recorded at Marc Productions in Ottawa.
Wilbye - Adieu Sweet Amaryllis
Dowland - Sir Henry Umpton's Funeral
Bennet - All Creatures Now
Dowland - Henry Noel, His Galliard
Farmer - Fair Phyllis I Saw Sitting All Alone
Holborne - The Wanton
Pilkington - Rest Sweet Nymphs
Holborne - Pavan
Morley - Now Is The Month Of Maying
Holborne - The Faerie Rounde
CBC MAN ALIVE
CBC TV is filming a thoughtful version of the Christmas story for Man Alive. This groundbreaking current affairs program, which explored issues of faith, commitment, and contemporary life, regularly drew more than one million viewers in Canada and won over 50 international awards. The integrity and humanity of the series, and its host, led to interviews with such notable international figures as Mother Theresa, Jacobo Timmerman, the Aga Khan, and Bishop Desmond Tutu. The series host is Roy Bonisteel. This episode is written and hosted by Reverend O'Driscoll of Christ Church Cathedral in Vancouver, who has asked the Huggett Family to provide appropriate music of their own choosing for the show.
Roy Bonisteel, Man Alive, The Story of Christmas
ROMEO & JULIET
Mid-fall, the Family is asked once again to play the music for Romeo & Juliet with the Grands Ballets Canadien. Two shows each in Montreal, Quebec City, Ottawa, and Niagara-on-the-Lake. The Huggetts are happy to see their ballet friends again.
There is an unfortunate mix-up in Ottawa when Andrew gets the time of the sound check wrong. Andrew remembers: "Colin McIntyre, the company's general manager, verbally gave me the time, but I remember it wrong, and we arrived an hour late. Colin is understandably and demonstrably exasperated. If the sound check goes into overtime, it will cost the company thousands of dollars in stage crew overtime, so we race through the sound check.